Data Sources
- ArtsDataArtsdata.ca is a national knowledge graph for the arts. It "aims to empower the Canadian arts sector to actively promote a more fair and equitable digital ecosystem. This initiative is building a linked open data knowledge graph of the arts that is open and accessible to all."
- arthistoricum.net data sourcesThe KunstBibliothek Köln (KuBi) contains more than 500,000 titles from the fields of art, architecture and photography. Selected full-text collections are integrated into the arthistoricum.net search, which can be searched both in the metadata and in the indexed and OCR-encoded full text.
- National Archive of Data on Arts & CultureA (U.S.) repository of data about the arts and culture acquired through the auspices of federally-funded agencies and other organizations.
- Southern Methodist University's DataArtsData, resources, and insights for the arts. SMU DataArts brings together thousands of partners and participants united in one common cause: to advance the impact and influence of the arts, culture, and humanities through the power of high-quality data
- National Endowment for the Arts: Arts Data Profile SeriesCollections of statistics, graphics, and summary results from data-mining about the arts. THE NEA also deposits data in the National Archive of Data on Arts & Culture
- re3data.org: Registry of Research Data Repositories: Art HistoryA global registry of research data repositories
- ICPSRICPSR advances and expands social and behavioral research, acting as a global leader in data stewardship and providing rich data resources and responsive educational opportunities for present and future generations.
- Arts Research QuarterlySampler of research articles on the arts ecosystem and on the arts' value and impact for individuals and communities, based on data housed at NADAC and elsewhere.
- Exploring the Impact of Visual and Social Features on Art PricesLee, Kangsan; Park, Jaehyuk; Goree, Samuel; Crandall, David; ahn, Yong-Yeol (2024). Buying a Work of Art or an Artist? Exploring the Impact of Visual and Social Features on Art Prices. figshare. Dataset. Cited in Lee, K., Park, J., Goree, S. et al. Social signals predict contemporary art prices better than visual features, particularly in emerging markets. Sci Rep 14, 11615 (2024). https://doi.org/10.1038/s41598-024-60957-z
Smaller data repositories
- Diana Seave Greenwald's Data on GithubData and code used to support the analyses in Painting by Numbers: Data-Driven Histories of Nineteenth-Century Art (Princeton, NJ: Princeton University Press, 2021) and data and bibliography --the original source material that support the majority of the quantitative analysis in Nika Elder and Diana Seave Greenwald, "Enslaved Labor and Cultural Capital: A Quantitative and Qualitative Analysis of Copley’s Colonial Patrons and Their Circum-Atlantic World," Winterthur Portfolio, 54.4, Winter 2020, pp.223-243.
- Holland Stam's data from: Quantifying art historical narrativesMy project surveys the development of Jansons History of Art across its eight editions as well as Gardners Art Through the Ages through its sixteen editions, looking particularly at the change in artist demographic through time. Additionally, this paper investigates which external variables such as artist gender, ethnicity, race, nationality, number of exhibitions at the Museum of Modern Art and The Whitney, and if any, predict the magnitude of an artists inclusion in art history survey texts...
- RomaFototecaData and documentation from the Photographic Collection of the Bibliotheca Hertziana, Max Planck Institute for Art History, Rome, Italy
- Matthew Lincoln's Art-Related Data SetsMatthew Lincoln is a software engineer for text & data mining at JSTOR Labs, where he builds infrastructure to make text and image collections usable as data by students, researchers, and developers
- Artl@sDatabase of exhibition catalogs. It is intended to include all types of exhibition catalogs, from the invention of catalog (Salon de Paris, 1673) to the present day.
- RKD Knowledge GraphRKD (Nederlands Instituut voor Kunstgeschiedenis) manages unique archives, documentation and photographic material and the largest art historical library on Western art from the Late Middle Ages to the present, with the focus on Netherlandish art. The knowledge graph represents their collections as Linked Data, primarily using the CIDOC-CRM and LinkedArt vocabularies.
Data models and standards
- Nicola Carboni's listA curated list of various semantic web and linked data resources for heritage, humanities and art history practitioners.
Open Data from Museum Collections
- Europeana APIsEuropeana APIs allow you to build applications that use the wealth of our collections drawn from the major museums and galleries across Europe. Their scope includes millions of cultural heritage items (from books and paintings to 3D objects and audiovisual material) that celebrate around 4,000 cultural institutions across Europe.
- National Gallery of Art (DC) Open Data ProgramIn pursuing our mission, we are making certain data about our collection available to scholars, educators, and the general public in CSV format to support research, teaching, and personal enrichment; to promote interdisciplinary research; to encourage fun and creativity; and to help people understand the inspiration behind great works of art.
- Cooper Hewitt, Smithsonian Design Museum APIGet design data at your fingertips! The Data that’s returned from our API comes back as structured JSON. Not to be confused with the Computer Science term ‘Object’, the API offers deep information about Museum Objects from the collection. These objects can be sorted in a number of ways. API users can also develop complex searches with multiple search and sort criteria that can help group objects by any number of fields.
- British Museum Collection (via Linked Open Data Cloud)This Linked Data and SPARQL service provides access to the same collection data available through the Museum's web presented Collection Online, but in a computer readable format.
- The Metropolitan Museum of Art Open Access CSVThe Metropolitan Museum of Art provides select datasets of information on more than 470,000 artworks in its Collection for unrestricted commercial and noncommercial use. T
- Victoria and Albert Museum Collections APIThe V&A Collections API provides access to the collections data and images held by the Victoria and Albert Museum in machine readable formats (currently JSON and CSV) aiding research into art & design history, provenance studies and supporting general data science exploration and visualisation.
- Museum of Modern Art (MOMA) Collection. This research dataset contains 155,930 records, representing all of the works that have been accessioned into MoMA’s collection and cataloged in our database. It includes basic metadata for each work, including title, artist, date made, medium, dimensions, and date acquired by the Museum. Some of these records have incomplete information and are noted as “not Curator Approved.”...
- Art Institute of Chicago APIThe Art Institute of Chicago's API provides JSON-formatted data as a REST-style service that allows developers to explore and integrate the museum’s public data into their projects.
Cornell University Library Data Resources
Books: Data-Informed Art History
Painting by Numbers by A pathbreaking history of art that uses digital research and economic tools to reveal enduring inequities in the formation of the art historical canon Painting by Numbers presents a groundbreaking blend of art historical and social scientific methods to chart, for the first time, the sheer scale of nineteenth-century artistic production. With new quantitative evidence for more than five hundred thousand works of art, Diana Seave Greenwald provides fresh insights into the nineteenth century, and the extent to which art historians have focused on a limited--and potentially biased--sample of artwork from that time. She addresses long-standing questions about the effects of industrialization, gender, and empire on the art world, and she models more expansive approaches for studying art history in the age of the digital humanities. Examining art in France, the United States, and the United Kingdom, Greenwald features datasets created from indices and exhibition catalogs that--to date--have been used primarily as finding aids. From this body of information, she reveals the importance of access to the countryside for painters showing images of nature at the Paris Salon, the ways in which time-consuming domestic responsibilities pushed women artists in the United States to work in lower-prestige genres, and how images of empire were largely absent from the walls of London's Royal Academy at the height of British imperial power. Ultimately, Greenwald considers how many works may have been excluded from art historical inquiry and shows how data can help reintegrate them into the history of art, even after such pieces have disappeared or faded into obscurity. Upending traditional perspectives on the art historical canon, Painting by Numbers offers an innovative look at the nineteenth-century art world and its legacy.
Call Number: OnlineISBN: 9780691214948Publication Date: 2021-02-16
A Handbook of Cultural Economics by A Handbook of Cultural Economicsincludes over 60 eminently readable and concise articles by 50 expert contributors. This unique Handbook is both highly informative and readable; it covers a wide area of cultural economics and its closely related subjects. While being accessible to any reader with a basic knowledge of economics, it presents a comprehensive study at the fore-front of the field. Of the many subjects discussed, chapters include: Art (including auctions, markets, prices, anthropology), artists' labour markets, arts management and corporate sponsorship, globalization, the internet, media economics, museums, non-profit organisations, opera, performance indicators, performing arts, publishing, regulation, tax expenditures, value of culture and welfare economics.
Call Number: Fine Arts Library (Rand Hall) NX634 .H33 2003ISBN: 1840643382Publication Date: 2003-04-28Markt und Macht by Die Geschichte des Kunsthandels im "Dritten Reich" zu schreiben, steht nicht nur aufgrund einer schwierigen Quellenlage vor besonderen Herausforderungen. Zwischen Komplizenschaft und Sabotage verstrickt sich das Handeln der Akteure in eklatante Widersprüche. Vom Alltagsgeschäft der Kunsthändler bis zum Widerstand gegen restriktive Vorschriften reicht das Themenspektrum, vom Auktionshandel bis zum Schwarz- und Schattenmarkt, von zahllosen Verbrechen nicht nur an jüdischen Sammlern und Händlern bis zum Kunstraub in den von deutschen Truppen besetzten Ländern. Kunst- und Wirtschaftshistoriker untersuchen in diesem Buch den Kunstmarkt und seine Mechanismen im Nationalsozialismus, die Rolle der Raubkunst sowie insbesondere moderner und "entarteter" Werke auf dem Kunstmarkt im "Dritten Reich".
Call Number: Olin Library N8600 .M377 2018 and onlineISBN: 9783110547191Publication Date: 2017-09-11
Computational formalism art history and machine learning by
Call Number: OnlineISBN: 9780262374736Publication Date: 2023