Toni Morrison: Literary Icon: Fiction

The Bluest Eye (1970) is the first novel written by Toni Morrison. It is the story of eleven-year-old Pecola Breedlove--a black girl in an America whose love for its blond, blue-eyed children can devastate all others--who prays for her eyes to turn blue: so that she will be beautiful, so that people will look at her, so that her world will be different. This is the story of the nightmare at the heart of her yearning and the tragedy of its fulfillment. Originally Published, 1970.

Toni Morrison's first novel,The Bluest Eye(1970), was acclaimed as the work of an important talent, written--as John Leonard said in The New York Times--in a prose "so precise, so faithful to speech and so charged with pain and wonder that the novel becomes poetry." Sula has the same power, the same beauty. At its center--a friendship between two women, a friendship whose intensity first sustains, then injures. Sula and Nel--both black, both smart, both poor, raised in a small Ohio town--meet when they are twelve, wishbone thin and dreaming of princes. Originally Published, 1973.

Toni Morrison's Song of Solomon, a novel of large beauty and power, creates a magical world out of four generations of Black life in America, a world we enter on the day of the birth of Macon Dead, Jr. (known as Milkman), son of the richest black family in a mid-western town; the day on which the lonely insurance man, Robert Smith, poised in blue silk wings, attempts to fly from a steeple of the hospital, a black Icarus looking homeward. Originally Published, 1977.

Tar Baby, audacious and hypnotic, is masterful in its mingling of tones--of longing and alarm, of urbanity and a primal, mythic force in which the landscape itself becomes animate with a wild, dark complicity in the fates of the people whose drama unfolds. Originally Published, 1981.

Winner of the Pulitzer Prize, Toni Morrison's Beloved is a spellbinding and dazzlingly innovative portrait of a woman haunted by the past. Sethe was born a slave and escaped to Ohio, but eighteen years later she is still not free. She has borne the unthinkable and not gone mad, yet she is still held captive by memories of Sweet Home, the beautiful farm where so many hideous things happened. Meanwhile Sethe's house has long been troubled by the angry, destructive ghost of her baby, who died nameless and whose tombstone is engraved with a single word: Beloved. Sethe works at beating back the past, but it makes itself heard and felt incessantly in her memory and in the lives of those around her. When a mysterious teenage girl arrives, calling herself Beloved, Sethe's terrible secret explodes into the present. Combining the visionary power of legend with the unassailable truth of history. Originally Published, 1987.

Jazz, is spellbinding for the haunting passion of its profound love story, and for the bittersweet lyricism and refined sensuality of its powerful and elegant style. It is winter, barely three days into 1926, seven years after Armistice; we are in the scintillating City, around Lenox Avenue, "when all the wars are over and there will never be another one...At last, at last, everything's ahead...Here comes the new. Look out. There goes the sad stuff. The bad stuff. The things-nobody-could-help stuff." But amid the euphoric decisiveness, a tragedy ensues among people who had train-danced into the City, from points south and west, in search of promise. Originally Published, 1992.

Toni Morrison gives us a bravura performance. As the book begins deep in Oklahoma early one morning in 1976, nine men from Ruby (pop. 360), in defense of "the one all-black town worth the pain," assault the nearby Convent and the women in it. From the town's ancestral origins in 1890 to the fateful day of the assault, Paradise tells the story of a people ever mindful of the relationship between their spectacular history and a void "Out There . . . where random and organized evil erupted when and where it chose." Richly imagined and elegantly composed, Paradise weaves a powerful mystery. Originally Published, 1998.

May, Christine, Heed, Junior, Vida–even L: all women obsessed with Bill Cosey. The wealthy owner of the famous Cosey’s Hotel and Resort, he shapes their yearnings for father, husband, lover, guardian, and friend, yearnings that dominate the lives of these women long after his death. Yet while he is either the void in, or the center of, their stories, he himself is driven by secret forces–a troubled past and a spellbinding woman named Celestial. This audacious exploration into the nature of love–its appetite, its sublime possession, its dread–is rich in characters, striking scenes, and a profound understanding of how alive the past can be. A major addition to the canon of one of the world’s literary masters. Originally Published, 2003.

Set two centuries earlier, in the 1680s the slave trade was still in its infancy. In the Americas, virulent religious and class divisions, prejudice and oppression were rife, providing the fertile soil in which slavery and race hatred were planted and took root. Jacob is an Anglo-Dutch trader and adventurer, with a small holding in the harsh north. Despite his distaste for dealing in “flesh,” he takes a small slave girl in part payment for a bad debt from a plantation owner in Catholic Maryland. This is Florens, “with the hands of a slave and the feet of a Portuguese lady.” Florens looks for love, first from Lina, an older servant woman at her new master’s house, but later from a handsome blacksmith, an African, never enslaved. Originally Published, 2008.

Toni Morrison extends her profound take on our history with this twentieth-century tale of redemption: a taut and tortured story about one man's desperate search for himself in a world disfigured by war. Frank Money is an angry, self-loathing veteran of the Korean War who, after traumatic experiences on the front lines, finds himself back in racist America with more than just physical scars. His home may seem alien to him, but he is shocked out of his crippling apathy by the need to rescue his medically abused younger sister and take her back to the small Georgia town they come from and that he's hated all his life. Originally Published, 2012.

Spare and unsparing, God Help the Child--the first novel by Toni Morrison to be set in our current moment--weaves a tale about the way the sufferings of childhood can shape, and misshape, the life of the adult. At the center: a young woman who calls herself Bride, whose stunning blue-black skin is only one element of her beauty, her boldness and confidence, her success in life, but which caused her light-skinned mother to deny her even the simplest forms of love. There is Booker, the man Bride loves, and loses to anger. Rain, the mysterious white child with whom she crosses paths. And finally, Bride's mother herself, Sweetness, who takes a lifetime to come to understand that "what you do to children matters. And they might never forget." Originally Published, 2015.

In this 1983 short story--the only short story Morrison ever wrote--we meet Twyla and Roberta, who have known each other since they were eight years old and spent four months together as roommates in St. Bonaventure shelter. Inseparable then, they lose touch as they grow older, only later to find each other again at a diner, a grocery store, and again at a protest. Seemingly at opposite ends of every problem, and at each other's throats each time they meet, the two women still cannot deny the deep bond their shared experience has forged between them. We know that one is white and one is Black, but which is which? And who is right about the race of the woman the girls tormented at the orphanage?   A remarkable look into what keeps us together and what keeps us apart, and how perceptions are made tangible by reality, Recitatif is a gift to readers in these changing times. Originally Published, 2022.

The story of Desdemona from Shakespeare's Othello is re-imagined by Nobel Prize laureate Toni Morrison, Malian singer and songwriter Rokia Traoré, and acclaimed stage director Peter Sellars. Morrison's response to Othello is an intimate dialogue of words and music between Desdemona and her African nurse Barbary. Morrison gives voice and depth to the female characters, letting them speak and sing in the fullness of their hearts. Desdemona is an extraordinary narrative of words, music and song about Shakespeares doomed heroine, who speaks from the grave about the traumas of race, class, gender, war and the transformative power of love. Toni Morrison transports one of the most iconic, central, and disturbing treatments of race in Western culture into the new realities and potential outcomes facing a rising generation of the 21st century. Originally Published, 2012.